How to Use Mini-Boss Cookie Goals to Amp up Suspense in Your Novel

This post is sort of a follow-up to my post on suspense and tension, and one the one where I compared plot twists and suspense (and pitted Emma and Pride and Prejudice against each other...). I wanted to discuss one of the most powerful ways to create suspense, and show you the method I've been using personally while revising The Coffee Shop Book.

Should You Include Dialogue Snippets in Your Outline? {Case Study}

I think that all pantsers have this fear inside of them that making a plot will box them in when they try to write their story, limiting their creativity. That fear keeps them from trying to outlining. They want to be creative, and in their eyes, having a plot stops that. If you don't know, I actually used to be a pretty hardcore pantser. I don't think it shows very much anymore, but that used to be the only way I wrote. Some of those leftover fears from my time as a panster still lurk in the back of my mind, though. (Also, WordPress keep trying to autocorrect me whenever I write 'pantser' into 'panther'. 😑) However, as a person who now refuses to walk into any book without at least some semblance of a plot, those fears have taken on a different form in me: the idea that, while I'm plotting, maybe I'm plotting too much. I need creative freedom to go meandering down whatever paths happen to pop up along my way, and if my plans have to be followed exactly, then I can't do that. So how far am I really willing to go with my outlines?

Flashbacks (Part 2): How to Seamlessly Pull off A Flashback

In my post two weeks ago, I covered different types of flashbacks (using only one, several, or telling a whole story through them - a revolutionary way of telling a story, in my opinion). Today, we're taking a look at actually writing these things. If you haven't read Part 1 in the series, I'd highly recommend checking that out here first. Now that that's out of the way, let's dive right in!